415.806.4861. For the most part, the old films held up quite well. Met up with Jon again on this most recent trip, and while we explored Highway 62 as Ray and I had done with him two years ago, there was no Salton Sea this timeAnd now I was with photographer Eric Bouvet and my youngest boy Sonny, out for the first time with a film camera. It had been too long. A reacquainting. While the only thing that changes about the station, aside from time’s influence, is the presence of greenery or lack thereof, the Datsun has been known to move here and there in the little bordered lot it occupiesThese Seligman photographs are being shown ahead of the others because they are some of the first I’d made outside of CaliforniaThe old service station lights, Seligman, AZ, 2008/9 - 4x5 PolaroidThe old service station lights, Seligman, AZ, 2008/9 - 35mmThe old service station lights, Seligman, AZ, 2017 - 120 Delta 100 (6x6)The old service station lights, Seligman, AZ, 2019 - 120 Portra (6x7)The old Datsun, Seligman, AZ, 2017 - 120 Delta 100 (6x6)The old Datsun, Seligman, AZ, 2017 - 120 Delta 100 (6x6)The old Datsun, Seligman, AZ, 2019 - 120 Portra (6x7)Often while either entering or exiting Seligman, depending on which direction I’m traveling, I make exposures from the overpass on the edge of town. But the returning to familiar views, there’s something special about it, and it becomes personal. All content © Jason Lee 2019. No photographs, video, or text may be used without prior written approval I’d made pictures here and there in natural settings with smaller cameras and conventional films before that but it was on that first dedicated “photo road trip” with the old 8x10 view camera that the approach to photography that I’ve adhered to since was realized That first road trip took me around a good portion of California. Great little eatery there, too, called Westside Lilo’s Cafe. Or you’ll just move around perhaps a bit differently than the time before and capture the thing from a new position, as was the case with the most recent exposure of the Sandell in Clarendon, Texas, which also includes its reflection in a foreground puddleBut while naturally interested in what may be different about a view with each new landing somewhere, or wanting to see it a bit differently than we did the time before, we simply want to see these things again, because we know them now. from the Memphis, TX, overpass above Highway 287, 2019 - 120 Portra (6x7)Another entry to follow that will feature a selection of black-and-white photos from these recent trips, as well as a selection of companion photos from the archives ... Firstly, a very big thank you to all those who attended the After a year in the making, it was a treat to finally see the 178 prints we selected for the exhibition framed and up on the wallsAnd to those who have purchased prints from the series, thank youExhibition prints are available in three sizes and editions - contactAdditionally, each month through February 2020 the museum is offering a special limited edition signed-and-numbered 8.5x11 exhibition print - These monthly offerings are the only way to acquire prints from the series at a smaller size to what’s being offered at the museumThe July print will be announced and available July 1Also on view at the museum is a documentary short directed by my son Pilot Lee that features behind-the-scenes footage of the making of the A series talk at Philbrook has been scheduled for October 18. If nothing else, they are landmarks, reminders. And by this I am motivated Gift shop t-shirts hanging in view of San Francisco de Asis Church, July 2019 - 120 Portra (6x7)On the way out of Texas a few weeks prior we’d missed the light as we neared Amarillo heading northwest, and so I lost out on capturing again a few of the bits and pieces I like to revisit whenever out that way Since 2017, I’ve photographed the Sandell in Clarendon a few times, in both color and black-and-whiteOften not much will change about a location. The photo was published on the Instagram account of The Hollywood Unlocked, an entertainment and lifestyle news site run by a man named Jason Lee. 12.4k Followers, 499 Following, 239 Posts - See Instagram photos and videos from Jason Lee (@jasonblonde) Born in Orange, California in 1970, Jason Lee is an American film photographer, actor, producer, and director. While ultimately redundant geography, one can’t help feeling compelled to stop often and document the staggering views of such places Before landing in Grand Junction, CO, I was able to re-photograph a scene looking north from Highway 70 that I’d photographed back in 2009 and hadn’t seen since then (sparsely situated houses off in the distance dividing the highway and the mountains behind them) From Grand Junction we headed south and then east, met up with 285 and then down into Taos, New Mexico, where we stayed a night Woke up in Taos, ate breakfast, met some photographers at the Mexican eatery, headed south and stopped to see the famous and very well photo-documented San Francisco de Asis ChurchHad never been there but had seen Ansel Adams’ and Paul Strand’s pictures of itOne of the reasons I choose to step back whenever possible when photographing something is that I find it important to show what lay around or in the way of it (when applicable); the scene of a place, or around something. 12.4k Followers, 499 Following, 239 Posts - See Instagram photos and videos from Jason Lee (@jasonblonde) Despite retiring from skateboarding in 1995, Lee continued co-managing Stereo Skateboards with co-founder and former professional skateboarder Chris Pastras.

But admiration, too. I’d been experimenting with 8x10 Polaroid films in my Los Angeles studio and figured it might be interesting to take the big peel-apart films out on the roadI went up Highway 395, to start, which is where Lone Pine is, and began making exposures. No tripod, rest the camera on the concrete barricade, hold it still Seligman, AZ, overpass at dusk, 2019 - 120 Portra (6x7)Hi-Line Motel, Ash Fork, AZ, 2017 - 120 Delta 100 (6x6)Hi-Line Motel, Ash Fork, AZ, 2019 - 120 Portra (6x7)Often not much will change about a location.


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