THIRD CATEGORY: SECOND OPTION “THE CHAMELEON” tenor: This is a free blowing, focused, rollover baffle mouthpiece designed for my 3rd category, that allows players who don’t get along with step baffle pieces, a real opportunity at finally getting some serious power into their playing with a rollover baffle design. A couple times in the clip below, I was playing at a medium level and then decided to push it and the Chameleon took all the air I could give it and is able to really crank out the power and volume. It also had a lot of volume and power to it when you push it without getting too bright, edgy and thin sounding. ALTO sax Chameleon Herbie Hancock Play 2 x A G‹ G‹ >œ C7œ œ. The tone gets brighter as the power and volume increases but it is still fat and round to my ear. Print. Print and download Karma Chameleon sheet music by Culture Club arranged for Alto Saxophone. You need to lengthen the shank on a design like so that it can sit further on the cork and play in-tune.So, how does the new Chameleon 7** saxophone mouthpiece in hard rubber play and sound? ₩3,541 Thanks,  Steve*To hear the most detail from these clips it is best to listen to them from a computer with nice audio speakers or headphones rather than from an iPhone or laptop speakers. I did try one on it when I first got it but liked the Rigotti reed more for some reason. At the time, I remember being frustrated because it seemed like most of the choices out there were Otto Link type baffles or Guardala type high step baffles (which I found too bright for my tastes). SteveSteve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for the last 30 years. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons. You have no idea how much you have poured into my husband. All that being said, if I was playing other genres like jazz standards and stuff like that as well as pop, R&B and funk stuff on a gig I would go with the Chameleon. My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now. Inside the tube, was a velvet looking bag with gold trim that protected the Chameleon saxophone mouthpiece while shipping.The new 10mFan Chameleon tenor sax mouthpiece has the traditional three rings on the shank that all of the 10mFan saxophone mouthpieces have. Hermeto Pascoal o Ovo . Musicnotes Pro This is the Chameleon 7** hard rubber tenor saxophone mouthpiece. SteveOh man….there have been numerous threads on the saxophone forums on material (mostly focused on metal and HR, but also other materials) and most conclusions are that it doesn’t have that much impact. I like this clip the most just because it represents the type of reverb I would have on my sax during a live performance playing wailing Top 40, Funk or R&B type tenor sax solos. That might not sound like a big difference but going from a 7** to an 8* can be a huge change with the way a piece blows and sounds as far as brightness is concerned.

I think both of them and especially this one have what is called a raised floor to create a slightly less volume passed that 1/2 inch baffle portion to focus and thicken up the tone (acts like a funnel) before getting to the further part of the chamber under the table. What do you prefer? Not sure I could always hear that difference from sound clips but when I am playing a metal or HR piece I feel like I can feel and hear a difference. I also tried a Rigotti Gold 3 light reed that also played quite well and gave me even more volume and power but I chose the 2 1/2 strong reed for the sound clip below.The Chameleon mouthpiece has a tone that lies at that midway area between bright and dark in my opinion. I actually got a text from Mark at 10mFan mouthpiece who read this comment who said that he finds the Black Widow to be not as bright as the Chameleon.Andy, People argue all the time about whether there is a difference between metal and hard rubber pieces. Title: C:\Documents and Settings\JSU\Desktop\Chameleon\Alto Sax.pdf Author: JetPDF Subject: JetPDF.dll Created PDF Created Date: 11/16/2011 1:36:58 PM Sometimes I even sell them for a little bit more to cover the shipping cost.As far as Mark’s policy, I totally understand it. Due to spam, all comments are moderated before appearing on the site.The Best Embouchure for Tone, Intonation and Endurance LessonMr. You have opened musical …I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and Balances the more guitaristic material found on the majority of guitar based programs. Nice mouthpiece from Mark as usual, I love the finishing.Hi Steve, You have very well defined notes and your performance is darn good on this piece. I’m not sure I have ever heard him live although the summer before I went to Berklee I remember hearing an ensemble behind a closed door and the tenor player was playing a killing solo which sounded like Michael Brecker to me. The baffle is a slightly curved side to side baffle that rolls over about half an inch into the mouthpiece before it runs straight down towards the rear of the chamber.The first half inch of baffle is what I would consider a high baffle but it is not so long and high that I would think this mouthpiece would be obnoxiously bright. I don’t hear as much edge in the Chameleon. DAT DERE. It also has “10mFan” and “CHAMELEON” engraved on the top of the mouthpiece. Also remember that the Black Widow was an 8* and this piece is a 7** which I think makes a difference in brightness from my experience. I think the Chameleon is more versatile in my mind…….. Hope this helps, StevePS.

I have already reviewed a number of great 10mFan tenor saxophone mouthpieces and alto saxophone mouthpieces in the past that you can find here.. Today, I am reviewing a new tenor saxophone mouthpiece from Whenever Mark Sepinuck, at 10mFan mouthpieces, comes out with a new mouthpiece model, I am always really excited to try it out because all of his mouthpieces are so good!


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